"Let Us Get Together" will be Marie Knight's First CD in over 20 years out on June 26, 2007!
"This record has gotten into my soul, my spirit, since I first heard it, and I cannot stop. It is the sort of music that infects one with joy, from an artist that is incredibly rare and sacred. I am honored to be able to thank Marie Knight here for her generosity in recording it." ~Madeleine Peyroux
Marie Knight’s vocal talents were recognized early on. When she was five years old, Marie—who was born in Sanford, Florida, but raised in Newark, New Jersey—sang the gospel number “Doing All the Good We Can” at her parents’ church, where the congregants marveled at her poise. A member of the youth choir, she was soon elevated to soloist and taught herself to play piano. “I used to go to the church in the daytime and just hit one note at a time, to hear that sound,” she recalled. “It was a joy to me, to put those notes together on the piano, just one key at a time.”
That joy soon became a professional calling for Marie, who by her early twenties had gained experience touring the national gospel circuit with evangelist Frances Robinson; she even recorded a few early sides with the quartet The Sunset Four. In 1946, she met Sister Rosetta Tharpe, the nationally famous gospel singer-guitarist, who recognized something special in Marie’s compelling contralto and her elegant stage presence. The two became gospel’s preeminent duo of the 1940s, recording hits for Decca Records, including “Didn’t It Rain,” “Up Above My Head,” and the gorgeous “Beams of Heaven.” By the late 1940s, Marie and Rosetta had split to pursue separate musical projects—Marie to do solo gospel work on Decca.
The two women reunited frequently on stage during the 1950s, however. In addition to singing before thousands of gospel fans in Washington, DC in 1950, and touring with up-and-coming gospel vocalist Wynona Carr in 1954, Marie and Rosetta impressed the critics with their sophisticated performances at top New York City jazz clubs in 1955.
In the 1960s, Marie cultivated a rhythm-and-blues career, touring with the likes of Brooke Benton, the Drifters, and Clyde McPhatter. After a hiatus, she re-emerged in the mid-1970s to record gospel music; today, Marie Knight is a minister at Gates of Prayer Church in New York, founded by the late Dolly Lewis.
In January 2002, on a cold, bright Saturday morning, Marie entered a recording studio to pay tribute to her old singing partner, Rosetta Tharpe, doing a solo version of their old hit “Didn’t It Rain.” [Listen the fruits of that session on Shout, Sister, Shout! (MC-0050).] That session—and Marie’s continuing vitality as a singer and performer—led to her present collaboration with producer Mark Carpentieri.
Marie is recording the Gospel songs of Rev. Gary Davis. Larry Campbell (Dixie Hummingbirds, Bob Dylan, Levon Helm, Elvis Costello) is playing all the stringed instruments. That release will come out in June 2007. It will mark Marie’s first full length recording in over 20 years.
Her voice has changed since the earliest days of youth recitals in Newark, but Marie Knight’s gift—the one recognized early on by her church—remains undiminished by time.
Happy Days is out now on iTunes and our record Revolution will be released on September 29. We're also talking to potential collaborators such as Yo Majesty and Reverend And The Makers.
Thanx for the add Sister Marie, and thanx for your lifetime musical contribution to American Music! Most of all, thanx for your eternal message! Peace, Howard Lips
Hi!Marie**Welcome to myspace**It is for people who love and enjoy listening to others sing or play beautiful music. Thank you for being here your new friend Reggie
Thanks for the add. Hey I posted the new Single "You Gotta Believe" from Etholia Housey & Reality Of Praise debut album. Let Me Know What you think. Leave a comment if you like. 1-LUV
1 Then spake Jesus to the multitude, and to his disciples, 2 Saying, The scribes and the Pharisees sit in Moses' seat: 3 All therefore whatsoever they bid you observe, that observe and do; but do not ye after their works: for they say, and do not. 4 For they bind heavy burdens and grievous to be borne, and lay them on men's shoulders; but they themselves will not move them with one of their fingers. 5 But all their works they do for to be seen of men: they make broad their phylacteries, and enlarge the borders of their garments, HAVE A BLESSED DAY ///// TRAVLER
Marie Knight - “That’s No Way Treat A Girl” played on The Craig Charles Funk and Soul Show-BBC 6Music. Listen again on http://www.bbc.co.uk/6music/shows/funk_soul/"
